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From Stars he moved up to the 5 Metre Class in which he also became a top helmsman. Feeling he could design a faster model he created Gullmar III which was nicknamed, "The Box". Other designs
followed and Swedish yachtsmen complained, half in jest, that he had "ruined" the class because to have a chance to win it was essential to have one of Laurin's designs. His design won gold in
the Helsinki Olympics in 1952 and four years later in Melbourne
He began to design in the 6 metre class and the one he built for himself called "Trickson VI" won him the Gold Cup Regatta in Sandhamn. Next came his interest in the new 5.5 metre class and the
success of his yachts drew orders from all over the world. Many of these won World Championships and Olympic medals.
In time he and fellow racing skippers married and had families so their need was for fast, seaworthy, cruising boats and Arvid began designing his "modern" Koster boats. Later Arvid Laurin
explained his objectives in the construction of his Kosters: "I wished a seaworthy and strong boat, which at the same time did not look like a cigar box. By deploying the whale deck - which was done
sometime in the forties - the strength was further increased.
A majority of the Koster Boats were built by the Rosättra Varv (Yard) in Sweden.
In the beginning these were designed specifically for the owner's requirements and were "One-offs". Thus developed the successful L28 which was originally built in wood and later in glass
fibre. In 1963 he designed the first Koster boat specially for glass fibre construction and became known as the L32.
Later he would add an L38 which went into limited production.
Laurin designed an experimental boat for his old friends Carl and Ulla Frostell which they named "Carousel" from a combination of the names. This was followed by an other experimental boat for
himself called, "Gullmar VII" which the Frostells would later own. Having transom sterns they were not Kosters but were very ingenious,fast and seaworthy.
Before his death in 1998 Arvid entrusted all his designs to Carl Frostell, who arranged for them to be preserved in the "Sjohistoriska Museets Samling" (Maritime Museum). These can be viewed at
the museum whose telephone number is +46 (0)85195 4900.
Called by many, "The Swedish Genius", his wide ranging enquiring mind encompassing many fields remained active up until the end. His contribution to yachting, especially in Sweden, was a force
to be reckoned with as witnessed by his enormous output of brilliant designs..
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